Sashel Meunier
Visual Artist

Franco-Mexican visual artist whose interdisciplinary practice spans fine arts, printmaking, sculpture, and audiovisual production.

Her work explores the relationships between humanity, technology, identity, and memory through contemporary visual languages that engage in dialogue with painterly traditions and digital imaginaries.

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She holds a Bachelor's degree in Visual Arts with a specialization in Fine Arts from the Autonomous University of Querétaro (2019–2023), and previously studied Film and Television at the Center for Studies in Communication Sciences in Mexico City (2010–2013). In 2025, she completed a Master's degree in Digital Marketing at the Instituto de Estudios Universitarios in Puebla, expanding her profile with strategic tools for cultural dissemination and management.

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Her training has been enriched through various complementary studies, including the Curatorial and Exhibition Production Laboratory led by Michel Blancsubé (2025), a realist sculpture workshop with artist Oriane Meurant (2024), and a diploma in Art Therapy accredited by the World Council of University Academics and Researchers (2023). She has also participated in specialized workshops in curatorship, pictorial techniques, visual narrative, color, and contemporary art, consolidating a reflective and technically evolving practice.

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Throughout her artistic career, she has developed a strong presence in both solo and group exhibitions. Her most recent solo exhibition, E-Human, Entes Mecánicos (2024), was presented at the Museo Anbanica de Historia in Querétaro.

She has participated in collective exhibitions in Mexico and abroad, including Say Cheese at Galería Arte Contemporáneo CENTRO (Mexico City, 2025), Expo Metro (Barcelona, Spain, 2025), Habitar in various itinerant venues, as well as exhibitions at institutions such as Centro de Arte Emergente, CEART Querétaro, the Autonomous University of Nuevo León, and the Museum of Contemporary Art Querétaro, among others.

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Her artistic production is characterized by a critical reflection on the body, identity, and coexistence with technology, influenced by contemporary art movements, cinematic aesthetics, and current social discourses. Her work integrates elements of printmaking, installation, and painting, generating visual narratives that question the human condition in contemporary contexts.

In parallel, she has been involved in film, music videos, and audiovisual production, highlighting her role as First Assistant Art Director in the feature film Sierrita Roja (2023), as well as her participation in internationally screened productions such as Until Forever. She has also worked in cinematography, institutional video production, and commercial projects.

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Among her recognitions and distinctions is her participation as a juror in the National Meeting of Art and Culture in its 2023, 2024, and 2025 editions, as well as in the International Cinema Imaginarios Festival (2024). In 2023, she carried out the curatorship and museography of the anthological exhibition Imaginarios Identitarios. Her work has been featured in media outlets such as El Universal Querétaro (2021 and 2025). Additionally, her participation in the exhibition Mujeres Poderosas y Libres (2025) was highlighted in various media outlets.

Sashel Meunier’s work stands as a contemporary proposal that moves across disciplines, integrating art, technology, and visual narrative into a critical and sensitive discourse on present-day reality.